斯科特·凯恩 ， 男，说唱组合Cypress Hill和House of Pain的负责人。他1976年8月23日出生于美国洛杉矶 ，身高1米65 ，代表作为《十一罗汉》、《十二罗汉》、《十三罗汉》《Hawaii Five-O》等。

凯恩曾是说唱组合Cypress Hill和House of Pain的管理员。也曾是hip-hop组合The Whooliganz一员（搭档是制作兼主持的The Alchemist）。在进入位于洛杉矶的Playhouse West表演学校后，凯恩在九十年代后期开始演员生涯，出现在一些独立电影和小成本电影中。他的第一个重要电影角色是在《校园蓝调》（1990）中扮演了一个鲁莽的的德州足球运动员Charlies Tweeder。同年也在电影《土星》(又名Speed of Life)中饰演Drew一角。凯恩随后出现在一些制片厂影片中，如《冠军争霸》（2000）合作大卫·阿奎特，《抢钱大作战》(2000) 合作范·迪塞尔和《无法无天》(2001)合作柯林·法瑞尔。在2003年，凯恩首次自导自演了电影《Dallas 362》，该片也在03年的Las Vegas Film Festival中获奖　凯恩出现在《十一罗汉》，《十二罗汉》，《十三罗汉》三部曲中。在2005年，凯恩再次与保罗·沃克合作动作电影《碧海追踪》（首次合作是在《校园蓝调》中）。凯恩编剧并执导了2006年的喜剧《狗的难题》，他也在本片中出演配角。

凯恩作为一个反复出现的角色Scott Lavin出现在电视剧《明星伙伴》中。

凯恩在《天堂执法者

斯科特·凯恩出现在多部独立电影当中，包括《Last Resort》(1996)、《Nowhere》(1997)。

·出演了尼古拉斯·凯奇的导演处女作《索尼》(2002) ——Sonny恰好是他的父亲詹姆斯·凯恩在《教父》中出演角色的名字，而《教父》的导演也恰巧是凯奇的叔叔弗朗西斯·福特·科波拉。

hip-hop制作人。

·1988年，小斯科特曾经和父亲斯科特·凯恩一起接受了Playboy TV的电视采访。

·同时期和安吉丽娜·朱莉一起在好莱坞的Beverly Hills High School上学，后来二人在2000年影片《极速60秒》中有过合作。

·曾被考虑作为通缉英雄中的“Derek”一角

·在洛杉矶Playhouse West学习过表演。

[On acting in the moment] I think all the greats really did that. If you watch Brando, if you watch McQueen, every scene you could see that they were doing something and that's why it seemed so human and so real as opposed to actors trying to find an emotion or play that emotion when the cameras are up and the lights are on it's hard to settle in and have a real moment. I think the only real way to do it is to have an objective for what you're doing in the scene.

When I was a kid, I was always an athlete. I played a lot of sports. I played football, basketball, baseball and soccer. My dad was super into athletics, so that's what I did as a kid. I played sports. When I was 11 or 12, I stopped wanting to play football, basketball and baseball and I started smoking weed and hanging out with the 'bad kids'. I wanted to do anything that was rebellious. My old man hated skateboarding and surfing. He was a team sports player. The individuality of it is what drew me to skating and surfing. It was a 'Fuck you!' at the time. I know that skateboarding and surfing have been around a long time, but it wasn't like it is now. Surfing now is like a high school sport. Everyone surfs and everyone skateboards. Back then, if you skated, you were definitely one of the bad kids. If you surfed, you were a stoner, so you were one of the bad kids. At the time, I wanted to be like that. I wanted to be rebellious. I didn't want to fit in. I wanted to be a punk. When we'd go off and skate or surf, we were doing our own thing. There was nobody standing over our backs, watching us. There was no one judging us. It was just about one-upping each other all the time.

My dad didn't work on a lot on movies when I was growing up. He stopped working for fifteen years. From the time I was five until I was fifteen, I didn't know who he was as an actor. He was just my dad. He wasn't off on movie sets when I was a kid. He hung out with me. He was also a rebellious guy. His whole life had a lot of ups and downs. To answer your question, yeah, he was the shit; but to me, he was just my dad. I didn't know him as James Caan, the big movie actor. As a kid, I never got to see any of his movies because they were all rated R. I didn't see The Godfather until I was 11 years old. When they shot him, I was like, 'This sucks.' It was fucked up. It was weird. I turned it off. It bummed me out. Now I look back and watch his movies and I'm like, 'Damn. He was the shit.'

My old man was very strict about if you were going to do something, be good at it. Be the best at it or don't do it. Anyone can work hard and have God-given talent, but it's a shame when people have it and don't use it. You have to use all aspects of it. You have to be good at it and work harder than the next man. He always instilled that in me. Even when I was a kid, he'd say, 'If you're going to do something, do it right, do it hard and be passionate about it. Do it good or don't do it all, because there is always someone else that wants to play harder than you.'

The reason I started writing movies was because I kept getting parts that I just kind of stepped into. I didn't have to do a lot of work and I ended up getting sort of bored. When I first started acting, all I did was work on plays and spend a lot of hours in the theater. I was immersing myself in what I was doing. I wanted to be the best at it. I was like, 'I'm going to do this and be the best actor in the world.' Then I got into the movie business and maybe once every three years, I'd get a part that I could actually sink my teeth into. The reason I started writing was because I didn't always get those parts. I figured I could write myself plays and perform things that I felt strongly about. That set me off on writing and directing. I ended up thinking, 'I can do this too.' I got really passionate about writing and directing. And now that I'm in my early 30s, I'm getting parts that I can really sink my teeth into it. Now I can go back to what really got me into acting, when it was something that I was super passionate about.

(2001) If you love acting and you've ever experienced theater, then you know that in a movie it's almost impossible to live out that experience, unless you're a Pacino or a De Niro or somebody who gets to pick their parts. It's very rare that you get a part that at the end of the day you feel like you've really lived it out, and for me going back and doing theater is where I get to do that. I realized that over the past couple of years, and I hope to God I never lose that, and I never rest on my laurels

(2001) I'll go do anybody's movie if I find something I like in it, I'll say, 'Let's go do it.' Good, bad mediocre or whatever it is, if a director wants me in his movie, I take it as a compliment. And at the end of the day, if the movie's no good, I'll live to fight another day.

When I was 17-years-old, I was in the music business. I was out on the 1993 Soul Assassins Tour and there was this director named Mitch Marcus who had heard about me, so he came and saw the show. He thought I'd be right for a part in his movie. He said, 'Do you want to come and audition for this movie?' I said, 'No, that's not my thing.' Then I read the script. It was about this 17-year-old punk kid that gets out of juvenile hall and rides his motorcycle and carries a gun. Then I was like, 'Okay. I'll come in and audition.' I ended up getting the part. It was a movie called A Boy Called Hate. It's not the greatest movie ever made, but once I got on that movie set, I was like, 'Okay, this is what I'm going to do for the rest of my life.' I was going to be a grip or an actor or writer or whatever I had to do to be on a movie set. Then I went straight to a theater school and studied for the next ten years. I started studying at Playhouse West in the Valley when I was 17-years-old. I started writing and directing plays. That's been my center for acting for the last fifteen years.

斯科特·凯恩生于美国加州洛杉矶，演员詹姆斯·凯恩和演员兼前任模特谢拉·瑞恩之子。祖父母是来自德国的犹太移民。在他出生一年后父母离异；并且有四个同父异母的兄妹。