1962年 斯洛伐克语 电影。斯蒂芬·乌赫尔作品。

The solar eclipse barely discerned by the main characters through thick clouds at the beginning of the film is echoed by summer and fall images of the sun[3] as they present themselves to all of them at various points in the film through a fisherman's net from his pontoon on the Danube beyond the city's suburbs, which Fajolo and Peťo have discovered independently and use as a swimming deck, a place to ponder life, or to try to seduce Bela. When, however, Bela brings her mother and brother Milo (Peter Lobotka) to the pontoon after a series of subdued interpersonal crises, the pontoon is on dry land because the water level has dropped, and the film ends with Bela and Milo lying to their mother about what they can see as they did about the visibility of the eclipse during the opening sequences.

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The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.

导演Director

斯蒂芬·乌赫尔

Stefan Uher

编剧Writer

Alfonz Bednár - writer

摄影Cinematography

Stanislav Szomolányi

剪辑Film Editing

Bedrich Voderka

原创音乐Original Music

Ilja Zeljenka

美术设计Art Direction by

Juraj Cervik

副导演/助理导演Assistant Director

Eduard Grecner - assistant director